©
ENG

Between Spring and Summer. Soviet Conceptual Art in the Era of Late Communism. Exhibition catalogue. Tacoma Art Museum a.o. – Boston: 1990
Groys, Boris (Hrsg). Fluchtpunkt Moskau. Werke der Sammlung Ludwig und Arbeiten fr Aachen. München: Cantz, 1994
Groys, Boris. History Becomes Form: Moscow Conceptualism. Mit Pr, 2010
Groys, Boris. Hollein, Max (ed/Hrsg.). Dream Factory Communism/Traumfabrik Kommunismus. The Visual Culture of the Stalin Era/Die Visuelle Kultur der Stalinzeit. Exhib.Cat./Ausst.Kat Shirn Kunsthalle, Frankfurt. – Ostfildern-Ruit (Germany): Hatje Cantz, 2003
Groys, Boris. Ilya Kabakov. Contemporary Artists Series. Phaidon Press, 1998
Groys, Boris. Ilya Kabakov: The Man Who Flew into Space from his Apartment. AFTERALL Books, 2006
Hirt, Günter. Wonders, Sasha (Hrsg). Kulturpalast. Neue Moskauer Poesie & Aktionskunst. – Wuppertal: S-Press, 1984
Hirt, Günter. Wonders, Sasha (Hrsg.) Präprintium. Moskauer Bücher aus dem Samizdat. – Bremen: Edition Temmen, o. j.
Ilya Kabakov: Catalogue Raisonné. Matthias Haldemann (Ed.) Kerber; Bilingual edition, 2011
Jackson, Matthew Jesse. The Experimental Group. The University of Chicago Press, 2010
Kabakov, Ilya. Das Fenster/The Window (Der aus dem Fenster schauende Archipov/Arkhipov looking through the window). Texte/Texts: Jean–Hubert Martin, Claudia Jolles. – Bern: Benteli, 1985
Kabakov, Ilya. Installations. 1983–2000. Catalogue raisonne. Ed. by Toni Stoos, Kunstmuseum Bern. 2 vol. – Dsseldorf: Richter, 2003
Kabakov, Ilya. Public Projects or the Spirit of a Place. – Milano: Charta, 2001
Kabakov, Ilya. Groys, Boris. Die Kunst der Installation. – München; Wien: Carl Hanser, 1996
Leiderman,Yuri. Ensemblement. – Quimper: Le Quartier, 2004
Moskauer Konzeptualismus. Sammlung Haralampi G. Oroschakoff. Sammlung, Verlag und Archiv Vadim Zakharov. – Kln: Walter Knig, 2003
Mystical Correct. Hrsg. von/Ed. by Galerie Hohenthal und Bergen. Ausst.cat./Exhib.cat. – Berlin: Galerie Hohenthal und Bergen, 1997
Neumaier, Diane (Ed.). Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art. The Dodge Soviet Nonconformist Art Publication Series.
Painting by Numbers. Komar and Melamid’s Scientific Guide to Art. Ed. by Joann Wypijevski. – New York: Farrar Strauss Giroux, 1997
Post-Soviet Russia: an anthology of contemporary Russian theory and philosophy of art. Ed. by Victor Tupitsyn. - Routledge & Third Text, London, 2002
Prigov, Dmitry. Arbeiten 1975–1995. Ausstellungskatalog. Stdtisches Museum, Mhlheim an der Ruhr, u.a. – Kln: 1995
Ratcliff C. Komar & Melamid. – New York: Abbeville Press, 1988
Rosenfeld, Alla (Ed.). Moscow Conceptualism in Context. Prestel, 2011
Sasse S. Texte in Action. Sprech- und Sprachakte im Moskauer Konzeptualismus. – Mnchen: Wilhelm Fink, 2004
Tupitsyn, Margarita. About Early Soviet Conceptualism. – in: Global Conceptualism: Points of Origin, 1950s – 1980s. New York: Queens Museum of Art, 1999, p. 99–107.
Tupitsyn, Margarita. Andrei Monastyrsky. - Artforum, February 2011, pp. 247-248.
Tupitsyn, Margarita. Some Russian Performances. - High Performance, vol. 4, no. 4, Winter 1981-82
Tupitsyn, Margarita. The Grid as a Checkpoint of Modernity. – Tate Papers, Autumn 2009
Tupitsyn, Victor. Immaculate Conceptualism. – Parkett Magazine, 83, 2008
Typitsyn, Victor. Kabakov, Ilya. Kabakov’s Communal Kitchen: a conversation. - Arts Magazine, New York, Oct 19, 1990.
Tupitsyn, Victor. The Museological Unconscious. Communal (Post)Modernism in Russia.- The Mit Press; Cambridge, Massachusetts; London, England.
Tupitsyn, Victor. Le Musee Obscur / Dark Museum. A report read at Louvre, Autumn 2010. – published in the Esse Magazine
Verbal Photography: Ilya Kabakov, Boris Mikhailov, and The Moscow Archive of New Art (co-authored with Margarita Tupitsyn). - MuseuSerralves & Idea Book, 2004.
Wallach, Amei. Storr, Robert. Ilya Kabakov: The Man Who Never Threw Anything Away. Harry N Abrams, 1996
Zakharov, Vadim. Retrospektive 1978–95. – Köln: Kölnischer Kunstverein, Pastor Zond Edition, Cantz, 1995